This monograph, the first on the work of Mohammed Sami,  is  published on the occasion of the artist's  first institutional solo exhibition in the UK, The Point 0 at Camden Art Centre, London (27 January – 28 May 2023). The show will travel to the De La Warr Pavilion, Bexhill on Sea (10 June – 3 September 2023).

The publication extends the scope of the exhibition,  collecting together and reflecting on more than five  years of Mohammed Sami's work alongside essays by Darian Leader and Amy Sherlock commissioned specially for this book,  designed by Fraser Muggeridge studio.

Published on the occasion of Jacqueline Humphries' exhibition at the Wexner Center for the Arts, this major catalogue surveys the artist's work from the past seven years, and features essays by exhibition curator Mark Godfrey and former Wexner Center Director Johanna Burton, among others.

The exhibition and its accompanying catalogue highlight the importance of digital communications and online culture in Humphries' ever-changing practice which brings the seemingly traditioinal form of abstract painting,  into dialogue with contemporary life.

This first monograph on Phillip Lai (b.1969, Kuala Lumpur, Malaysia) charts the artist’s sculptural development over the course of the last two decades. From a basement soy-sauce factory to the Hepworth Prize for Sculpture, the publication surveys several of the artist’s exhibitions across London, Wakefield, Turin, Berlin and Hong Kong.

The nine chapters explore an evolving oeuvre that finds form in materials like aluminium, pewter, concrete, resin, rice, cooking pots, textiles and film. Lai broaches the material limits of the everyday world, often working with casting processes that see the abstraction and changing stability of materials as they transition from fluid to solid.  This publication includes an essay by critic and writer Jan Verwoert, with bilingual text in English and Chinese throughout.

Published on the occasion of the artist's first solo exhibition with Modern Art, London, and his first  exhibition in the UK in two decades. 

Published on the occasion of the exhibition, Richard Tuttle: TheStars at Modern Art, London, this beautiful catalogue features 92  images of a new body of sculptures, made during the summer of 2019 at his home and studio in Mount Desert. These works are presented alongside  a selection of the artist’s rarely published poems.

The scale and materiality of this new  body of work, titled TheStars, bears a clear resemblance to some of Tuttle's most important works of the 1970s, which came to typify  the essential characteristics of a  sculptural language Tuttle would employ throughout his career.

Published in  2015, this monograph is the largest printed survey of Linder’s artworks to date, containing over 240 works. The artist was  closely involved in developing  the structure of the book, which includes several  physical interventions such as die-cut pages, paper stock changes,and  short sections. The publication includes an interiew by art historian Dawn Ades.

Linder is best known for her photomontages, photographs, and performances which deconstruct gendered stereotypes, libidinous desires, and transgressive acts. She has continued to construct striking, playful, and political juxtapositions with imagery surgically excised from a wide range of printed matte. A major figure in feminist art, Linder brings into focus the commodification of consumer and sexual appetites with a commentary on inherited and uncontested roles. 

One of Britain's most exciting sculptors, Eva Rothschild  was named a Royal Academician in 2014, and represented Ireland at the 58th International Art Exhibition–La Biennale di Venezia in 2019. This volume, the first monograph published on the artist, presents a survey of work from the late 1990s to 2010, alongside a text by Michael Archer and an interview by Laura Hoptman.

 Typically using materials such as Jesmonite, Perspex, steel, polystyrene and ceramic, Rothschild’s work attends to relationships between objects and bodies, and to creating social spaces between sculptures, highlighting  form, colour, and mass. How objects and materials acquire religious, spiritual and magical meanings is a question that her work continues to explore through its particular sculptural language that exists somewhere between geometric and organic, and abstraction and figuration.