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KARLO KACHARAVA
PEOPLE AND PLACES -
Modern Art is pleased to announce our first exhibition of Karlo Kacharava’s work, curated by Sanya Kantarovsky and Scott Portnoy.
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"Kacharava’s paintings are often playful, smashing text and image together and playing around with the form of the picture plane, but they also have a sort of melancholy. Sentimental Journey (1993) – named for the Laurence Sterne novel, the Doris Day song, or neither – features variants of these characters and others in a grim wintry landscape." - Joe Lloyd, Studio International
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"Kacharava was a portal of information in a broken world, a Nietzschean bridge, a glorification of freedom, a burning desire to embrace the world as a whole and to be embraced by the world. This is why he dreamed of showing his work in London, a city that perhaps meant the world to him at the time." - Han Mengyun, Luncheon No.12
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"In this survey his distinctive visual world is well explained through oil paintings that with their abject, spiky style, draw heavily from 'degenerate' German Expressionist artists such as George Grosz and Ernst Ludwig Kirchner, as well as the Italian Transavanguardia." - Kabir Jhala, The Art Newspaper
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"From Georgia, he named the country's literary luminaries, Vazha Pshavela and Ilia Chavchavadze. From abroad, he singled out the work of Albert Camus, American beat poet Allen Ginsberg, French writer and surrealist André Breton, and Italian filmmaker Federico Fellini. He had a mapgpie-like instinct for anything new. One small example is the appearance of singer Nick Cave's name on one of Kacharava's works, now on display in the Modern Art show. The painting dates from 1992, when the now famous, Australian-born musician was still faily obscure, even in the West. But Kacharava got hold of a cassette nonetheless." - Andrew North, The Calvert Journal
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